Showing posts with label 2009 Art. Show all posts
Showing posts with label 2009 Art. Show all posts

Friday, March 23, 2012

Polygonia Butterfly



 



A Polygonia butterfly, specifically here the Question Mark Butterfly (Polygonia interrogationis), resembles both a moth and a dead leaf when it's wings are closed because of the drab brown color on the underside of the wings and "hairy" appearance. Personally I think it looks like a cameleon with those eyes! :) This friendly critter joined me on the patio one day to pose for some photos. Learn more about them at Wiki http://en.wikipedia.org/wiki/Polygonia_interrogationis or see the great photos here http://www.carolinanature.com/butterflies/qmark.html 




 


*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use.

Sunday, October 25, 2009

Celtic Goddess Epona

The goddess Epona is particularly a goddess of fertility, but is well known as a loving protector of horses, donkeys, and other animals. She is also a goddess of sleep, dreams, hope, ambition, and is helpful in manifesting dreams into reality. Epona is known as a good protector when venturing on a new path in life and indeed the leader of the human soul in the after-life ride. Although originally a Celtic goddess, she was accepted by the Romans and eventually incorporated into the Imperial cult by being invoked on behalf of the Emperor, as Epona Augusta or Epona Regina.

Celtic Goddess Epona Mini Statue Sculpture
I've recently finished making this miniature statue of Epona, depicted sitting side-saddle on a horse. It's an original design based upon an authentic ancient relic, sized at a wee 1 5/8" tall. It's sculpted in Paperclay® modeling material, which is a great product that dries very hard. I glazed it with a wash of thinned acrylic paint and sealed it with several layers of durable clear varathane varnish. The colors are the natural cream beige of the clay and brown umber.

 It's a one of a kind. Check store links for availability.

*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

Tuesday, May 12, 2009

Dance with the Moon ACEO Painting Series

I've been enjoying painting a series of ACEO's (miniature art cards) based upon the theme of dancing naked in the moonlight. One of the first things new neighbors will ask upon learning that I'm a Pagan is, "Are you gonna dance around naked under the Full Moon"? I generally reply with a chuckle, and explain that not all Pagans or Wiccans skip around nude (though I might) and usually don't do it at all in open suburban backyards. Each time the question is posed I get the sense that folks might wish -- just a little bit -- that they could be so open as to dance naked with the Moon, so I began this series of quick little paintings in honor of letting that wild spirit break free!

Shown above is card #1 Dance with the Moon, which features a long haired woman stretched back in motion. She's shaping energy for magic between her hands, while a naked branched tree watches from a hill in the landscape background. The painting is almost abstract in style, with thick brush stroke texture, which lends to the sense of motion in dance. Each in the series will have a similar style with a dancing figure, the Full Moon, and may or may not have a tree in the scene. Each painting should stand well alone as an individual, but a group together would create a coven of dancers in motion; should be cool!

I'll be adding card #1 to my fine art store soon for purchase. Each card is made with acrylic paint on quality Strathmore water color paper. They'll come with a clear protective sleeve and also a black edge top loader frame. I hope visitors enjoyed viewing this peek at the first Dance With The Moon painting and will come back again to see the next two cards in the series.





*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

Sunday, May 3, 2009

Ganesha Indigo Flow Added to Portfolio

Ganesha Indigo Flow, by Tree Pruitt, framed fine art print.
I've just added this digital manipulation, "Ganesha Indigo Flow", to my ArtWanted.com portfolio. If you visit there, you'll see a close-up image of the digital effects, which shows best at full size.

DESCRIPTION: Photomanipulation collage, by Tree Pruitt, that combines elements of nature and spirituality in a contemporary presentation. The elephant headed Hindu God Ganesha (or Ganesh) sits holding the Golden Ball of enlightenment filtered through hues of indigo over a flowing granite stone like background. Style of digital manipulation lends the image a dream like, painterly, quality overall.

* Shop for fine art prints, including canvas choice options & custom frames, as shown to the right.




*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

Sunday, March 29, 2009

Sketchbook vs Worksheet

The following is an entry from an older blog...


If I keep my blogs in any way as I do my journals and notebooks then it's likely to jump around a bit. My "notebooks" would likely be considered as sketch books by many. I don't consider them as such. Notebooks and worksheets work best for me. I'll often make a verbal notation of a scene or idea, rather than a visual image, to keep the mental picture firmly in my mind. Most often a page consists of a mixture of the two. They can be some what messy due to my tendency to grab a book and find a blank spot in a hurry. I do try to maintain some order though I suspect it's an order only I can see at times! :)
I prefer to make notes & worksheets before beginning a piece of artwork. That way I work out the idea but the actual exploration of the subject happens IN the art -- my passion for it is expressed during the creation of the piece. For myself there is always a great danger of burning out early on a subject; A concept has to continue to hold my attention in order for me to commit the time to give birth to it, if you will. If I allow too much early exploration through sketches then sketching becomes what I am doing. The sketch would become my response to whatever it was that urged me to create, and that may likely be the end of it. I rarely work the same subject more than once. If I do it is simply because I've not finished contemplating the topic of origin. On occasion, the first creation will inspire a second piece along the same topic line. So I do have series that I may return to from time to time --just as topics of conversation often arise out of the ashes of the spoken to spark to new life.
There are so very many things to think about that I cannot imagine ever running out of things to paint, or create on any particular subject. It really is quite like an insanity. I mean that light-heatedly, but there is a sharp pang of truth to it. A crazy life seems to be one of the requirements to the job of artist -- they don't tell ya that when ya sign up! :) But I do the best that I can to get through it with dignity, and try to produce the images in my mind's eye.

*Visit also "Pages From My Sketchbook" From Marion Bobby-Evans
* Artist Portfolio
* Above image, "The Traveller", ©Tree Pruitt 1999. All rights retained. Example of a worksheet with both sketch & notes.


*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.