Pink Japanese Magnolia Tree in Bloom

Rather than "on" my easel this canvas has just come off of my easel... "Pink Japanese Magnolia Tree in Bloom" is a water-colour pencil painting on canvas of a very large old tree that I'm blessed to share space with in this life. I really enjoyed drawing the tree onto the canvas and moving the flow of water from my paint brushes to enhance the forms! I look forward to the possibility of painting another version of this tree in (albeit exaggerated color) full bloom, as I've enjoyed observing it's growth over a few years now -- a twinkle in its growth span! Due to the diameter of this trees sprouting trunks I can only imagine that it must be 100 years or more in age -- an early example of a hybrid species of flowering trees in America! Add in the fact that this tree is left to chances in a semi-urban environment and it is truly an amazing example of survival, beauty, and luck (or Divine intervention). I've enjoyed this tree a great deal, and consider sharing life space with it as one of the high points of my time living in Indiana.

I began with a double primed cotton canvas. The image was drawn free hand with only 3 colors of Faber-Castell Albrecht Durer water-colour pencils -- Walnut Brown, Wine Red, Phthalo Blue -- then very few black accents were added. The background was enhanced with additional Light and Emerald Green pigment pencils with the Walnut Brown. A Burnt Ochre was then added in areas of the tree for highlight shadow. All of the white highlights (darkened here due to photograph lighting) are the white of the canvas showing through. Once dried for several days after painting I sprayed several coats of a fixative over the water-colour pencil paint, then carefully brushed over layers of acrylic varnish to seal the painting to a finish.

At this point the original painting is not for sale because my dear husband has requested that it remain hanging in our home for personal enjoyment... the BEST payment that an artist can hope for is to have a painting enjoyed!


*Original art images ©Tree Pruitt T. E. Pruitt, unless otherwise indicated. Contact the artist prior to ANY use please.

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Empty Faithful Painting

Empty Faithful, or Inanis Fidelia, is a 16 by 20 inch acrylic painting still life on thick gallery wrapped canvas just off of the easel. The thickness of the canvas support helps lend a feeling of depth to the three vases on a corner cabinet shelf.

Click image to open a larger version for viewing.

An image of an empty vase in iconography represents the human soul awaiting to be filled with spiritual energy and enlightenment, or assention even, and here the qualities of stoneware is a reflection of souls who have passed on returned to the Earth for a rebirthing of the Spirit. The title of the painting is written on the back side in both English and Latin too as, Inanis Fidelia. "Inanis" is the empty void of soul. The word "fidelia" means an earthenware pot or vase; I have perhaps taken artistic liscence in joining these words to fit my need. This painting has a great deal of texture and subtle color varitation that was hard to capture in a photograph, but I do hope visitors here will enjoy viewing it and the new owner will cherish the painting in her home.

-- Tree

Above; a closer view.

The above image shows the canvas edges that are thick and painted to resemble the rustic display cabinet that is holding the vases.    

*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

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Influences; A Painting on Paper

Influences is a multi-media painting on paper by Tree Pruitt.

I found myself awakened in the middle of the night and unable to drift back to sleep right away, so I decided to let my pencil wander through a bit of relaxed drawing; the little painting in this entry is the end result. I didn't seem to have anything in particular in mind but shapes and forms began to flow alright. By the time the paper seemed to have a composition to the group of images I was able to pleasantly drift back to sleep. The next day I worked the color and forms to a more refined level with Holbein water color paint, Derwent watercolor pencils, Prismacolor pencils, some acid free collage papers, and acrylic paint thinned with acrylic gloss varnish. I've included a couple of close-up views here, (though Blogger seems to show my images a bit darker than they should).
Clicking on an image will open a larger version, for a better look; you may need to click the page back to return here from viewing the image.

I had a good time and enjoyed working with the high key colors. The vibrant blue and pink are both created from Holbein brand water color paint. The 'Opera' creates a super hot pink and rich warm orange tones. The 'Peacock Blue' is probably my favorite blue of any brand or paint medium! These colors really "pop" more so than my camera and Blogger will pick-up. The butterfly and giant thumbprint are pre-printed collage paper I adhered with PVA glue, as well as the areas of artist tissue paper to the right side of the piece and over the moon like shape. The black dots are created with acrylic painted and gloss varnish that I allowed to thicken by drying slightly. I later added highlights to the dots in areas by pressing the painting onto another piece of paper, which when pulled away left small amounts of paper fiber stuck to the highest points of the dots. I personally think the differences in texture, layer and color are pleasing.

It wasn't until my husband walked by the studio table and remarked on the piece that I realized it was a self portrait - which seems silly now, in hindsight, that I hadn't noticed before! There are several metaphysical symbols within the painting that relate to myself, my eyes are green, and the inclusion of the nose ring on the same side as my own should have been a give-away! Now that my eyes are more open, I've enjoyed looking at the painting to interpret what my subconscious was leaking onto the paper, (and still chuckling at myself for not having been more aware). So, I've aptly title the piece as "Influences", and leave it up to the viewer to decide what each element may represent. ;)

*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

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Medicine Woman Painting Near Finished

Recently I was overcome with the urge to sort of doodle, to allow imagery free flow from within, and the un-finished canvas shown here is the result. I had lain down to go to sleep, a few days ago, when the mental pictures began to flow. I grabbed some sketch paper to take notes and refer back to the next day. Tonight I feel as if I've worked this piece to a state of being very close to finished, so I took a couple of quick snap shots to look at it in a different way. Since it was moving towards evening the photos are dark, but I think the elements can all be seen well enough for now. Clicking an image will open a slightly larger version in a new window. The entire painting is done with Liquitex Acrylics and Prismacolor Pencils on canvas.

Generally a painting is well planned, or even fully mapped out, but I've had fun allowing this one to grow as it seemed to like. I can't say what inspired the concept; sometimes these things just happen. I've been in a phase of using Impressionistic brush strokes a little on the wild side, so it's been a bit of a challenge to switch back to Realism ... but this painting isn't exactly 'reality' based, is it? The main character is a young Native American woman wearing eagle feathers in her hair and a poignant expression; perhaps she's only recently discovered her Path as a Medicine Woman, perhaps she looks upon us with compassion. Her vision emerges from the energy of spider, the weaver of life. Behind her is the strong presence of raven, who is nearly always a symbol of magic in cultures and mythology. Behind her hovers a white moth intended to portray the presence of the spirits of ancestors. The background houses spirit orbs, pine trees, distant mountains, and a salamander in the Full Moon watches over the valley below.



I think I'll work on her jewelry accessories a bit more, and perhaps add a touch of a silver glint to the spider webbing in places. Whatever my choices are, when the painting IS finished I'll happily show it here in a better light.




*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

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Next Stage of Acrylic Portrait of Ivy

In the post just prior to this entry I told of an acrylic portrait painting of actress, model, and Go-Go Dancer Ivy Blue. Working from a photograph, I've developed my own interpretation of the overall image using thick brush strokes and vivid color.

Below are two photos of different stages of the painting. The image on the right shows the results after an evening spent working on the canvas; the left is a "before". These are just quick snaps in the studio, so the lighting is a bit off, but the colors are bold and vivid. Using acrylic gel medium in addition to the paint adds layers with depth, much like the effect of an oil painting, but still maintains that modern plasticity of acrylic. There are a few areas that still don't sit quite right with me yet, so I'll likely paint some more this evening.

*Later that evening ... Below is a peek at what is probably the now finished painting. Tomorrow I'll make some lighting adjustments and get a better photo posted. It's very textural. I need to let Ivy know it's finished! I hope she enjoys it.

*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

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Finished Painting, "Wild Scarlet Macaw"

"Wild Scarlet Macaw", by Tree Pruitt.
11" x 14" acrylic paint on canvas board,
unframed but will fit standard frame without glass.

Please enjoy these first snap-shots of one of my most recent paintings, titled "Wild Scarlet Macaw". The available light sources were poor today, so unfortunately the white areas are a bit washed-out. Color variations and brush work are lost in most of these areas of the photos. At the left, see an example of the painting in a studio frame (frame not included when purchasing).

This unique piece incorporates both realism and abstraction, with Impressionist style brush strokes. The sculpted form of the bird arises from breaking the image up onto five separate canvas boards, the largest being 11" x 14", stacked and mounted to each other using heavy bodied acrylic gel medium. The image twists and morphs over the canvas boards. The edges are painted, and in many areas the design carries over onto another board. In other areas the image disappears, blending into the background.

The overall effect I desired to create was the experience of a Scarlet Macaw suddenly coming into the focus of the peripheral view; to mimic the action of a scene from a memory. The Scarlet Macaw (Ara macao) is a large, colorful parrot. The memory involved a walk through a jungle like path at a public zoo, where I'd paused for a moment without having noticed such a colorful bird right before my eyes! The macaw shook its head, catching my attention, suddenly becoming a keen color contrast against the green foliage. So the bird may not have been actually "wild", but the finished painting offers a wild view! The event made for a pleasant memory and a very enjoyable art project!

*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

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