Showing posts with label metaphysical. Show all posts
Showing posts with label metaphysical. Show all posts

Wednesday, January 2, 2013

Brightening the Post-Holiday with Blues

"Crystal Water" wire mobile by TE Pruitt. In the depths of Winters moody darkness it's helpful and fun to find projects to craft that will add a bright spot to your spirit. I decided to craft up a new brightness in our lives by making a glass bead wire mobile. The holiday season this year found our home filled with sparkle, light, and decoration, but after it had passed taking down the ol' Yule tree left us feeling less than festive. Once replaced, the candle holder that usually hangs in the archway where the lit tree had been sitting looked dark and dull. I didn't want us starting a new year with a dull feeling hanging around, so that's where I put the mobile! A slight touch or a breeze will start the beads to movement, catching the light and also moving Chi life energy around. I wrapped some quartz crystals and used blue beads that look like frozen drops of water and captured air; We here are both Fire signs, so the energy of Water should offer a calming balance to us and Air should feed the fire of our creativity. At the bottom of the mobile hangs a faceted heart which not only sparkles nicely but hangs there to represent the desire for our loving energy to continue to effect our environment in positive ways and for that love to grow in the coming year. Over time too the steel wire will likely oxidize a bit changing into a nice warm red, which will certainly cause us to continue to enjoy the piece as well as serving as a reminder that change can be a good thing. Overall it's just a hanging wire mobile, but as with everything handmade it's what it means to the person enjoying it that matters most!
 Now that the excitement of the holiday season has passed don't let your inner artist go hungry... feed it some good energy by crafting up a project that will light up your life in some way that's special to you!

Happy new year to you all! --Tree
 
"Crystal Water" wire mobile by TE Pruitt.
"Crystal Water" wire mobile by TE Pruitt.





*Original art images ©Tree Pruitt T. E. Pruitt, unless otherwise indicated. Contact the artist prior to ANY use please.

Thursday, April 5, 2012

Zenful Assemblage Art

Buddha Window Assemblage
This piece of assemblage art, "Buddha Window Assemblage", was made entirely of found objects that were collected, rescued, and reused to give old so-called garbage new life via a different form; I love to upcycle vintage treasures! It is true magic at work when such totally unrelated items can fit together in a way that feels unforced yet new! What I most enjoy about this piece is the ambiguity; depending upon how it's viewed, both figuratively and physically, the piece can either be of spiritual enlightenment or sociopolitical confinement -- happy or sad, mostly dependent upon how the viewer approaches the Buddha (again both figuratively and literally).

Click images to view enlarged.
The parts that make up the piece are few. The frame was saved after having tested a company's product where a tile fell out and broke; The frame was new, so why throw it away? The next layer of the piece is an uncommon one... a window that was never meant to be looked out. The white metal frame is a salesman's sample from a window manufacturing company, complete with black screen material and ribbed rubber seal. These mini windows were far too cool to allow them to get trashed, so it's great to use one here as what certainly must represent the industrial hand of mankind framing a spiritual perspective. Then from an antique pottery sake cup that was, sadly, broken emerges the Lord Buddha. From behind him is a bit of rusted railroad steel rising like flames. The metal Buddha figure has been cleaved off of a well loved, but totally worn out, incense burner. The left, or heart, side of the figures chest is missing. The heart hasn't been cut out but removed from the scene, perhaps for safe keeping or perhaps it was stolen somehow. No matter the frame of mind or perspective taken this piece offers a window for contemplation with clean lines, warm tones, and varied texture which I feel is a successful representation of zenful assemblage art.

Buddha Window by Tree Pruitt, 6" x 6" x 2" 2012-13


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*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use.

Friday, April 9, 2010

Empty Faithful Painting

Empty Faithful, or Inanis Fidelia, is a 16 by 20 inch acrylic painting still life on thick gallery wrapped canvas just off of the easel. The thickness of the canvas support helps lend a feeling of depth to the three vases on a corner cabinet shelf.

Click image to open a larger version for viewing.

An image of an empty vase in iconography represents the human soul awaiting to be filled with spiritual energy and enlightenment, or assention even, and here the qualities of stoneware is a reflection of souls who have passed on returned to the Earth for a rebirthing of the Spirit. The title of the painting is written on the back side in both English and Latin too as, Inanis Fidelia. "Inanis" is the empty void of soul. The word "fidelia" means an earthenware pot or vase; I have perhaps taken artistic liscence in joining these words to fit my need. This painting has a great deal of texture and subtle color varitation that was hard to capture in a photograph, but I do hope visitors here will enjoy viewing it and the new owner will cherish the painting in her home.
-- Tree
Above; a closer view.


The above image shows the canvas edges that are thick and painted to resemble the rustic display cabinet that is holding the vases.
 
 


*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

Tuesday, November 3, 2009

Carved Willow Magic Wand

My enthusiasm has gotten the better of me, so I must tell you about a wand I'm near to finishing! This wand is designed especially for use in Wicca magic and rituals. Even though my old camera will catch better images in the daylight, I've included some snap shots here. Made of weeping willow wood, it features a hand carved Mother Earth Goddess and pyrography burned symbols. I had a hard time holding back from the fun of adding detail to the human like figure so that the stick didn't become too fragile in the center; it's still as strong as willow can be! The natural under-bark is still in place in areas and some spots have indents that strongly remind one of certain female anatomy that is sacred -- indeed vital -- to birth, and I've accentuated those to emphasize the importance of the natural Yoni like symbols.

There's a lovely light catching quartz crystal shard at the top, but I chose to end the tip of the wand with a spiral rather than a stone. I think the spiral is one of the most important of the Wiccan religious mysteries. The spiral of life is where we often find ourselves in the same places we were in the past, but on a different and hopefully more progressed level or layer of the spiral. Bettering one's self for the benefit of all should be the goal of every Wiccan; this is selfishness through selflessness, (helping others helps yourself in the long run).

On the wand, Wicca mysteries are further alluded to by more symbolism. The tangle of hair the Goddess sports represents the web of life. The open carved space in the middle of the hair is the Center of all being where energy is waiting to be fulfilled to being. The handle portion of the wand holds simple line glyphs for the Elements of Earth, Air, Fire, Water, and Spirit; indeed ALL of the Elements were involved in crafting the wand. The reverse side has words the symbols stand for burned into the wood too. At the foot of the Goddess is the double crescent and circle symbol that most commonly represents Her in the Triple Goddess aspects of Maiden, Mother, and Crone.


Wicca Willow Magic Wand
Don't think, however, that only the feminine divine is expressed here. The circle and crescent symbol of the God, often thought of as the Horned God, is directly balanced in opposite to the Goddess sign on the reverse. Wicca can often seem very Goddess centered, but because of the theory of Force and Form the God is always present even if not as visually represented as His female counterpart. The complexity of Force and Form can be summed up as the God provides the force, or driving energy, of the universe and it is the Goddess who gives it form and shape. In this wand the God is present through the sun's energy that allowed the willow tree to grow, the strength in my muscles as I carved the wood, and even the power of change that was required to make the metal hand tools I used. Though the Goddess features most prominently on this wand, I feel there is a good balance between all of the most important Wiccan symbolism.
There's little that's left to do before this 13" wand is offered for sale. I still need to buff on a finish of carnauba wax for a natural muted shine. I like using varathane because it's such a durable finish, but I think that would be too shiny for this wand. The hand rubbed finish will still be water resistant but will also have a lovely tone and feel. After the finish is applied I need to do the "core". This wand will have a magickal core which will work in a similar fashion to a totem animal medicine bag; No whimsical dragon scales or firebird feathers though! I have a very special bit of naturally shed elk fur that I'm considering placing inside the small hole I've burrowed into the handle of the wand. I'll likely consider appropriateness of the metaphysical energy of several other materials too before capping the hole closed with a tiny gem stone, sealing the core inside. It doesn't require much of any given thing to add to the magic because it's simply the blessing of the energy involved that counts. I'm always careful not to use anything dangerous, illegal, or unethical in a magical core -- that would defeat the purpose -- but I won't make final decisions until the action of "doing" is in hand. This is without a doubt the most elaborate wand I've ever crafted! I'm sorry the fun of the project is nearly over, so you can bet that I'm already contemplating another.




*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

Sunday, October 25, 2009

Thoughts on Ritual Tool Crafting

It's time for me to set up a wand crafting station in my new art studio space, so I'm a bit jazzed up with energy. I'd recently moved and things are just now getting settled into a peaceful state of some sort of organization. I've held off crafting wands and rattles until the main metaphysical power zones within my living space were established. Having peace and clarity is vital when crafting ritual tools. The time of year is a perfect building point for me to jump from too, as I always have a rather easy time with positive creative energy when moving towards Samhain (Halloween); I'll need creative inspiration to fit another work station into my live-in studio, but I'm confident things will flow well.

I've been having an urge to work with the natural materials required for crafting ritual tools. I've already gone through my packed projects that aren't finished yet, not only to verify they survived the move but also to rekindle the connection to the metaphysical energy of the projects.



Inner guidance told me to wait a little longer though, when I was tempted to start carving on a stick. I thought it was near time to work wands and that suspicion was confirmed recently when I felt what I refer to as a "calling". I felt pulled to a something and so began to look into the matter until I found that I was being called to stones. I've been very fortunate to come upon a large variety of quartz crystal points in which I feel an energy connection! I'm very excited to work with them and discover the paths they will take from my home. I'm positive now that somewhere in the bunch is the perfect stone to top off that stick I'd wanted to carve on until guidance put a stop to my hand. Getting the stones also confirms that it's definitely the right time to create a space for making wands and other ritual tools in my new home. I'm glad because it involves many art, craft, and ritual activities that I enjoy very much! I look forward to showing you all some finished projects very soon. Be sure to check for new releases!





*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

Sunday, September 20, 2009

Influences; A Painting on Paper

Influences is a multi-media painting on paper by Tree Pruitt.
I found myself awakened in the middle of the night and unable to drift back to sleep right away, so I decided to let my pencil wander through a bit of relaxed drawing; the little painting in this entry is the end result. I didn't seem to have anything in particular in mind but shapes and forms began to flow alright. By the time the paper seemed to have a composition to the group of images I was able to pleasantly drift back to sleep. The next day I worked the color and forms to a more refined level with Holbein water color paint, Derwent watercolor pencils, Prismacolor pencils, some acid free collage papers, and acrylic paint thinned with acrylic gloss varnish. I've included a couple of close-up views here, (though Blogger seems to show my images a bit darker than they should).
Clicking on an image will open a larger version, for a better look; you may need to click the page back to return here from viewing the image.

I had a good time and enjoyed working with the high key colors. The vibrant blue and pink are both created from Holbein brand water color paint. The 'Opera' creates a super hot pink and rich warm orange tones. The 'Peacock Blue' is probably my favorite blue of any brand or paint medium! These colors really "pop" more so than my camera and Blogger will pick-up. The butterfly and giant thumbprint are pre-printed collage paper I adhered with PVA glue, as well as the areas of artist tissue paper to the right side of the piece and over the moon like shape. The black dots are created with acrylic painted and gloss varnish that I allowed to thicken by drying slightly. I later added highlights to the dots in areas by pressing the painting onto another piece of paper, which when pulled away left small amounts of paper fiber stuck to the highest points of the dots. I personally think the differences in texture, layer and color are pleasing.

It wasn't until my husband walked by the studio table and remarked on the piece that I realized it was a self portrait - which seems silly now, in hindsight, that I hadn't noticed before! There are several metaphysical symbols within the painting that relate to myself, my eyes are green, and the inclusion of the nose ring on the same side as my own should have been a give-away! Now that my eyes are more open, I've enjoyed looking at the painting to interpret what my subconscious was leaking onto the paper, (and still chuckling at myself for not having been more aware). So, I've aptly title the piece as "Influences", and leave it up to the viewer to decide what each element may represent. ;)


*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

Saturday, September 12, 2009

Medicine Woman Painting Near Finished

Recently I was overcome with the urge to sort of doodle, to allow imagery free flow from within, and the un-finished canvas shown here is the result. I had lain down to go to sleep, a few days ago, when the mental pictures began to flow. I grabbed some sketch paper to take notes and refer back to the next day. Tonight I feel as if I've worked this piece to a state of being very close to finished, so I took a couple of quick snap shots to look at it in a different way. Since it was moving towards evening the photos are dark, but I think the elements can all be seen well enough for now. Clicking an image will open a slightly larger version in a new window. The entire painting is done with Liquitex Acrylics and Prismacolor Pencils on canvas.

Generally a painting is well planned, or even fully mapped out, but I've had fun allowing this one to grow as it seemed to like. I can't say what inspired the concept; sometimes these things just happen. I've been in a phase of using Impressionistic brush strokes a little on the wild side, so it's been a bit of a challenge to switch back to Realism ... but this painting isn't exactly 'reality' based, is it? The main character is a young Native American woman wearing eagle feathers in her hair and a poignant expression; perhaps she's only recently discovered her Path as a Medicine Woman, perhaps she looks upon us with compassion. Her vision emerges from the energy of spider, the weaver of life. Behind her is the strong presence of raven, who is nearly always a symbol of magic in cultures and mythology. Behind her hovers a white moth intended to portray the presence of the spirits of ancestors. The background houses spirit orbs, pine trees, distant mountains, and a salamander in the Full Moon watches over the valley below.



I think I'll work on her jewelry accessories a bit more, and perhaps add a touch of a silver glint to the spider webbing in places. Whatever my choices are, when the painting IS finished I'll happily show it here in a better light.




*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

Tuesday, May 12, 2009

Dance with the Moon ACEO Painting Series

I've been enjoying painting a series of ACEO's (miniature art cards) based upon the theme of dancing naked in the moonlight. One of the first things new neighbors will ask upon learning that I'm a Pagan is, "Are you gonna dance around naked under the Full Moon"? I generally reply with a chuckle, and explain that not all Pagans or Wiccans skip around nude (though I might) and usually don't do it at all in open suburban backyards. Each time the question is posed I get the sense that folks might wish -- just a little bit -- that they could be so open as to dance naked with the Moon, so I began this series of quick little paintings in honor of letting that wild spirit break free!

Shown above is card #1 Dance with the Moon, which features a long haired woman stretched back in motion. She's shaping energy for magic between her hands, while a naked branched tree watches from a hill in the landscape background. The painting is almost abstract in style, with thick brush stroke texture, which lends to the sense of motion in dance. Each in the series will have a similar style with a dancing figure, the Full Moon, and may or may not have a tree in the scene. Each painting should stand well alone as an individual, but a group together would create a coven of dancers in motion; should be cool!

I'll be adding card #1 to my fine art store soon for purchase. Each card is made with acrylic paint on quality Strathmore water color paper. They'll come with a clear protective sleeve and also a black edge top loader frame. I hope visitors enjoyed viewing this peek at the first Dance With The Moon painting and will come back again to see the next two cards in the series.





*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.

Sunday, May 3, 2009

Ganesha Indigo Flow Added to Portfolio

Ganesha Indigo Flow, by Tree Pruitt, framed fine art print.
I've just added this digital manipulation, "Ganesha Indigo Flow", to my ArtWanted.com portfolio. If you visit there, you'll see a close-up image of the digital effects, which shows best at full size.

DESCRIPTION: Photomanipulation collage, by Tree Pruitt, that combines elements of nature and spirituality in a contemporary presentation. The elephant headed Hindu God Ganesha (or Ganesh) sits holding the Golden Ball of enlightenment filtered through hues of indigo over a flowing granite stone like background. Style of digital manipulation lends the image a dream like, painterly, quality overall.

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*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.