
I began with a chunk of reclaimed marble stone. It had been a garden feature so is a bit brittle and worn. Centering the sculpture on a diagonal to the base allows for the most views of the lovely grain in the stone. I then used a strong adhesive to glue a pine dowel rod upright, and when that was dry I created a support base with the paper clay. While the lower portion dried I worked the upper torso in a similar manner, working back and forth until both ends were set nearly as shown. Then I added a few drops of water to some iron rich fine grain soil I'd collected from Arizona state. I kneaded the soupy mixture into some of the paper clay to then spread it down the tree like trunk of the sculpture. It dried rock hard and offers a lovely contrast to the natural tone of the paper clay; I don't plan on painting the entire piece.
Just last evening I work two additional areas of the sculpture. Wetting the older set clay, I then added a coil of fresh material to the flat back of the head. This portion was then pinched and moulded with fingers and tools to make a loose feather head dress. I enjoy the paper like texture and the way the feathers seem to be falling forward.


I look forward to sharing the progress of this piece with you all. Any comments or input is welcomed! To see a current selection of available assemblage sculpture, please visit my Etsy store http://www.treepruitt.etsy.com/
*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.
*Original art images ©Tree Pruitt, unless otherwise indicated. Contact the artist prior to ANY use or for purchase information.
Looks like it is progressing nicely
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